What Makes a Good Showreel Scene?

I have written, directed and edited a huge amount of showreel scenes for actors over the past few years. They have become their own art form. How best can you showcase an actor’s talent within a scene? What should you be aiming for?

When an actor is paying for a showreel scene to be created, they often see it as an opportunity to go ALL OUT, to show all of their range and abilities.

But I’d caution against that. What you really want to do is show one part of you, one skill, and be an expert at it.

 

 

Say you want to do a break up scene. A girl breaks up with a guy. It might be tempting to film a scene where you scream at the other person, hit them and then unleash a devastating monologue at them about how you’ll never forgive them.

But what is this actually showing the casting director who’s watching? It’s showing one thing, chaos. And that’s NOT what you want!

The best actors do a lot by doing very little. In a showreel scene you shouldn’t be afraid of subtlety.

One of the scenes I am most proud of is this one. We’ve all seen many break up scenes – but what I like about this one is the realness; it’s not screaming and shouting, yet still there is a strong sense of drama and conflict.

 

There’s no action in it. No screaming. Just two grown people having a conversation. We see a woman wanting some answers – wanting to get to the truth of the relationship, and a man who is not being as open as he could be. There are some really powerful moments in this scene. Far more powerful than if they had been screaming at each other trying to show their ‘range’.

And what is ‘range’? Rather than show EVERYTHING you can do, show ONE thing that you can do. If you want to do a comedy scene, show that you can deliver a line in a way that makes people chuckle. If you want to show your intensity, have a scene that involves you THINKING, or HOLDING SOMETHING BACK.  You can learn so much more about a character (and in turn, an actor) by how well they hold back. The not screaming is more interesting than screaming, the almost crying is more fascinating than crying.

Here’s another scene.

Again, there are no big theatrics. There is a strong sense of drama – a lot is at stake in the scene, yet the way I directed it and, indeed, the way the actors interpreted it, was to find the truth in a more nuanced way. It’s not about noise, it’s about truth.

Here we have two actors who have, again, showed their skills by doing something very subtle. For me, that is a much better indicator of acting talent than an overblown scene full of noise and loudness.

What makes a good showreel scene is the same thing that makes a good scene in a TV show or movie. It’s about a moment. About telling a story. About showing us a piece of humanity. Tone down the craziness and deliver something TRUTHFUL, that’s what the casting directors want to see.

Email Me: dj@danieljohnsonfilms.co.uk.

Tweet Me: @danieljohnsonuk

Share on facebook
Facebook
Share on twitter
Twitter
Share on linkedin
LinkedIn
Share on whatsapp
WhatsApp
Share on email
Email

Add a Comment

Your email address will not be published. Required fields are marked *

Related Posts

Wedding Goals – Short Film

I’ve released a new short film, ‘Wedding Goals’, starring Stephanie Marion, Durone Stokes and Rachel Keys. It is a documentary-style comedy about trying to organise

Read More »
Daniel Johnson
Writer, Director, Author